Jonathan Chapline 喬納森·查普林 ,生於1987年,主要探討3D空間繪畫真實(性),以數位虛擬化美學在藝術圈大放異彩。他的創作方法很特別,首先會挑選一些形式感較強的室內影像,並使用電腦軟體的鋼筆素描草圖後,在Photoshop上創建拼貼,將平面物件排列在空間中,將其拉成一定的厚度和體積,創建具有立體派的外觀。最後使用 50 年代發明的乙烯基帶塗料 Flashe ,仔細繪製每個圖像,展現出具有不透明和天鵝絨般啞光感的表層,形成色彩飽和、風格鮮明的室內畫。
Solo Exhibitions
2023
Nanzuka Underground, Tokyo JPN
2022
Sprawl, The Hole, Los Angeles, CA
2021
Geometric Encounters, AishoNanzuka, Hong Kong
Statuesque, Nanzuka 2G, Tokyo, JPN
Private Domain, 3110NZ , Tokyo, JPN
2020
Plein-Air, Herzog and de Meuron Building, The Hole in conjunction with ICA Miami, Miami Beach, Fl
Virtual Window, Hawkins Ferry House, Library Street Collective, Detroit, MI
Hunter Gatherer, Nanzuka Underground, Tokyo, JPN
2019
Untitled Miami, The Hole Solo Booth, Miami, FL
Sunday Art Fair, The Hole, Solo Booth 6, London, UK
Art Brussels, The Hole Solo Booth B39, Brussels Belgium
2018
Material Memory, The Hole, New York, NY
Flatland, The Hole Solo Booth B2, Volta 14, Basel Switzerland
2017
House Work, Victori + Mo, New York, NY
2016
Lagoon, GCA, New York, NY
Jonathan Chapline 喬納森·查普林 ,生於1987年,主要探討3D空間繪畫真實(性),以數位虛擬化美學在藝術圈大放異彩。他的創作方法很特別,首先會挑選一些形式感較強的室內影像,並使用電腦軟體的鋼筆素描草圖後,在Photoshop上創建拼貼,將平面物件排列在空間中,將其拉成一定的厚度和體積,創建具有立體派的外觀。最後使用 50 年代發明的乙烯基帶塗料 Flashe ,仔細繪製每個圖像,展現出具有不透明和天鵝絨般啞光感的表層,形成色彩飽和、風格鮮明的室內畫。
Solo Exhibitions
2023
Nanzuka Underground, Tokyo JPN
2022
Sprawl, The Hole, Los Angeles, CA
2021
Geometric Encounters, AishoNanzuka, Hong Kong
Statuesque, Nanzuka 2G, Tokyo, JPN
Private Domain, 3110NZ , Tokyo, JPN
2020
Plein-Air, Herzog and de Meuron Building, The Hole in conjunction with ICA Miami, Miami Beach, Fl
Virtual Window, Hawkins Ferry House, Library Street Collective, Detroit, MI
Hunter Gatherer, Nanzuka Underground, Tokyo, JPN
2019
Untitled Miami, The Hole Solo Booth, Miami, FL
Sunday Art Fair, The Hole, Solo Booth 6, London, UK
Art Brussels, The Hole Solo Booth B39, Brussels Belgium
2018
Material Memory, The Hole, New York, NY
Flatland, The Hole Solo Booth B2, Volta 14, Basel Switzerland
2017
House Work, Victori + Mo, New York, NY
2016
Lagoon, GCA, New York, NY